tag:blogger.com,1999:blog-8313240227914358173.post4539481481261261054..comments2023-10-26T09:20:12.129+01:00Comments on Hannah Lamb: Stop, look, listenHannah Lambhttp://www.blogger.com/profile/03477406715223164791noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-8313240227914358173.post-69451249592249255422010-06-06T14:29:21.899+01:002010-06-06T14:29:21.899+01:00I think your final question is such an important o...I think your final question is such an important one for creative practitioners to grapple with. Galleries are not always the best places to present 'an experience' that has visual elementgs. Just as concert halls are not always the best places to experience music and sound. There are so many other factors outside the conventional 'art on the wall' that make up the message and the work. I'm very aware that some artists are now selecting locations that are suited to the very making 'and' presentation of their work. To disseminate to a larger audience ingenuity and novel forms of new media presentation goes along side.<br />Your (excellent) blog demonstrates you already have a feel for this kind of thinking. What you have undoubtedly picked up in being exposed to the Slow Movement community is that the making and its story can become part of the artefact or collection itself. Exhibitions like Taking Time have a looseness that allows for change and growth of a piece of work. What you seem to be involved with is not a finite piece of work but something that is growing and will continue to grow. Ok, things often begin from a particular experience as a point in time, and that may be powerful, but the art work in its making can only be a series of reflections upon that, like a stone thrown into a pond the ripples of that moment spread outwards over a period of time . . .Anonymousnoreply@blogger.com